Gardens in My Dreams

Refik Anadol transforms data into emotion through AI-generated environments that visualize memory and the subconscious. His immersive installations are portals into alternate states of being.

Apollonaire Broche fuses glass and metal into delicate yet resilient structures. Her sculptural works capture the fragile beauty of dreams as they form and dissolve.

Pring Bunnag draws inspiration from Thai rituals and personal iconography, creating textile and paper-based installations that evoke the sacred spaces of the inner world.

Sam Falls works with natural elements, time, and weather to create poetic imprints of the environment—silent traces of fleeting moments preserved in color and form.

Henrik Håkansson investigates the hidden systems of the natural world. His pieces often blur the line between science and meditation, inviting contemplation of life’s unseen rhythms.

Patrick Jacobs crafts miniature dreamscapes inside glowing dioramas. These intimate windows evoke nostalgia and wonder—visions half-remembered from sleep.

Massimo Listri photographs historic interiors with haunting precision. In this edition, his lens captures spaces that echo with the absence of time and the presence of memory.

Jonas Mekas (1922–2019), poet of avant-garde cinema, brings a posthumous presence to the exhibition. His dreamlike films are odes to the fleeting, the joyful, the in-between.

Aidan Salakhova sculpts in pure white marble, exploring themes of femininity, faith, and the veiled self. Her works resonate with strength beneath their silence.

Amy Thai prints on silk and paper to explore the thin boundaries between myth and consciousness. Her works suggest ancient stories unfolding in modern light.

Alexandra Vertinskaya plays with the effects of time, light, and perception. In Fèlsina, her mirrored installations slowly degrade—changing form, like memory eroded by time.